Category Archives: Drawing

d Girls And Pin Up Models.

D Girls and Pin Up Models.

Pin Up girls saw their heyday during World War II, when soldiers and sailors would put up pictures of the sexy ladies over their bunks. More recently, Pin Up Art has seen a revival through digital art and 3D model, such as DAZ Productions’ Victoria series. The artists have replaced their pens with 3D computer graphics software, and created modern-day pin-ups from the Vintage Pin-Up Girls free 3d models.

During World War II, soldiers and sailors loved to look at their glamorous pin up models, which featured women posing in eye-pleasing, sexy positions. The phrase “pin up” originated in the 1940s. Usually, pin up girls wore revealing clothes and sultry looks on their faces; their images would adorn magazines, post cards, and even the noses of military aircraft. Pin ups are idealized representations of what a man wants a beautiful woman to look like.

Producers like DAZ Productions, with the Victoria series, have given pin up art a fresh new feel in Digital 3D model. 3D computer graphics frees the artist from their pens and easels, and brings the vintage pin up into the modern world. Graphic artists no longer need drawing or painting skills to bring pin ups to life. All that digital artists require, with the assistance of computer graphics software, is a basic understanding of composition, posing and lighting. Programs like Poser, Vue Infinite and DAZ Studio can be used to create 3D Human Models in a virtual scene with props. This digital composition brings Virtual Girls to life with Pin Up Art spirit. A little polishing with some graphics software brings it all together. Classic Vintage Pin-ups join the 21st centure using these radical techniques.

The art of the pin up isn’t dead; it’s just been democratized! This new way allows everyone to digitally create their own pin-up girls. Sub-divided polygonal architecture and a gorgeous skin texture bring your pin-up girl alive with a feminine feel. You can make sublime works of art that will shine with sensuality and beauty. At last, with 3D Pin-Up Girls (free 3d models), we have a modern answer to the Pin Up girls of the past.

Understanding People Better Through body Language

Watching people’s action can bring you a lot closer to the truth than merely listening to what they say (which might be a cover-up). This is the “science” of kinesics, or “body language”.

Reading body language is very exciting indeed! If you know how to read and interpret body language, you can predict other people’s mood and thinking process.

Some of us can read it naturally and some of us are notoriously oblivious. Fortunately, with a little extra attentiveness, you can learn to read body language, and with enough practice it’ll become second nature. It can be very revealing….

Some outward expressions of inner feelings:

Openness: Open hands, unbuttoned coat.

Defensiveness: Arms crossed, sideways glance, touching-rubbing nose, rubbing eyes. Buttoned coat, drawing away.

Insecurity: Pinching flesh, chewing pen, thumb over thumb, biting fingernails.

Cooperation: Upper body in sprinters position. Open hands, sitting on edge of chair, hand to face gestures, unbuttoning coat.

Confidence: Steepled hands, hands behind back, back stiffened, hand in coat pockets with thumbs out. Hands on lapels of coat.

Nervousness: Clearing throat, “whew” sound, whistling, smoking, pinching flesh, fidgeting, covering mouth, jiggling money or keys, tugging ears, wringing hands.

Frustration: Short breaths, “tsk” sound, tightly clenched hands, wringing hands, fist-like gestures, pointing index finger, rubbing hand through hair rubbing back of neck.

Noticing the signals that people send out with their body language is a very useful social skill…Don’t isolate yourself by constantly examining body language when interacting with people. Otherwise, there is no reason to gain a social upper hand anyway. This is paralysis by analysis.

Mad About Manga Review – How To Draw Any Manga Character You Want

With advanced computer technology, it has never been easier for an aspiring artist to require drawing lessons. Many manga-ka, the Japanese term meant for manga artists, offer drawing tutorials in the manga style on ones own personal websites. Some such lessons are 100 % free while others charge fees for more advanced help and critiques. College art departments may possibly offer manga drawing modules as another option.

Evaluate your goal meant for drawing lessons to determine which lessons you want to take. If you want to learn manga for your own enrichment and have limited time and resources, a free tutorial could be the route to take.

Look at books about manga drawing in the local public library. This can give you some background on the art, as well as several basic lessons in illustrating manga characters.

Call your local higher education or university’s art unit or browse a course catalog to uncover whether it offers manga types. If you are thinking about becoming a serious manga artist and have a background with art, you may benefit from some art and art-history classes.

Go to a manga conference, such as MangaNEXT, to learn about opportunities to look at drawing classes.

Gather the materials you require for your drawing instructional classes. You will need a table large enough to hold on to your supplies. Purchase pencils, paper, erasers and pencil sharpeners.

Get started your courses in manga drawing through an open mind. Know that for a lot of people, drawing does not can be bought easily, and it may in your own time before you are content with the way your art looks. Be open to constructive criticism from your teachers.

Now, lets talk about Mad About Manga created by Malcolm Matheson and just how it may assist you. I really hope this simple Mad About Manga Review will aid you to differentiate whether Mad About Manga is Scam or a Real Deal.

You’re about to realize how to draw any manga character you need, AND make him or her come to life by employing their facial expressions, body movement, eyes, hands, hair, clothing, and more! Discover exactly how to help draw males and feminine Manga characters, young and old, with perfect eyes, noses, ears and mouths to help you have complete control across your character’s personality! When drawing Manga eyes, did you know there are actually 8 crucial elements that all are likely involved in creating the emotion and mood of a character? Slight line adjustments could possibly be difference between an offended villian or an innocent child. Manga hair is drawn in a variety of different ways, however the general phenomena is BIG! Hair plays a fundamental role in defining a character and ought to be done well. You will also learn advanced cartooning techniques for creating multiple Manga Characters like Swordsman, Ninja’s, Princesses, Martial Artists, Modern day Villians, Regular Boys and Kids, Sci Fi characters and much more.

Style Icon Yves Saint Laurent

Arguably one of the most prodigal designers in the fashion industry, even after he is gone, distinctive mark left by Yves Saint Laurent (1936-2008) lives on. At the early age of 21, Yves Saint Laurent had already developed a name for himself in the French fashion industry. Noted for his unusual and individualist sense in design, Saint Laurent was promoted to the position of lead designer for Christian Dior in his early 20s. His Trapeze and breatnik style characterized his design in the early 1960s and a significant portion of his career.

Growing up in Algeria until the age of 17 before moving to France, Saint Laurent incorporated certain cultural characteristics and motifs he absorbed during his upbringing into his design. In addition to drawing from global influences, his designs celebrated ethnic and peasant characteristics. In 1962, Saint Laurent set up his own fashion house under his own name. It was with this label that Laurent starting to produce his most unforgettable designs. In accordance with the zeitgeist of the 1960s and early 1970s, Saint Laurents design and style pushed the limits of fashion. His designs of racy, semi-transparent apparel pushed the boundaries of what was appropriate, at a time when society at large was challenging both traditional rules and preconceptions. In fact, Saint Laurent was the first to use non-European models in his fashion shows.

He also drew inspiration from painters such as Picasso, Matisse. In 1965, he launched a collection of wearable art which featured the bold and minimalistic patterns of Dutch artist Piet Mondrian. His designs empowered women by achieving a new sense of equality and independence. Saint Laurent took staples in mens fashion such as the tuxedo and the safari look and redesigned these traditionally masculine types of apparel for women. According to China Style, Saint Laurents more significant style contribution the le smokinga tuxedo for her. In 1966, this was a revolutionary idea, both in terms of design and social rituals. For the first time women ventured into what was traditionally male territory. In this made-for-her designs, Saint Laurent managed to celebrate femininity and female sexualityaltering them in a way that was revealing and enticing, and ultimately feminine. One of his largest accomplishments was normalizing traditionally male attire such as pants and suits, for women.

In 1966, Yves Saint Laurent launched his pret-a-porter line called Rive Gauche. With this line his designs moved from haute couture to ready-to-wear, reaching a more diverse demographic. Forever lenfant terrible and trendsetting, Saint Laurent will be remembered as a fashion legend whose design empowered women, broke boundaries and challenged preconceptions of what is appropriate.

Winter Carp Bait Flavours And Top Taste And Smell Bait Attractors

Flavours are such a massive subject and one which attracts the attention of carp anglers and some very strong personal opinions too. The fact is that our personal fishing experiences and hard earned results forms our opinions. Sometimes results do not necessarily fit current thought. Fishing 3-4 days right through the winter, for example qualifies one to have a more realistic first-hand opinion of baits, flavours, current folk-lore on winter fishing techniques and tactics and so on.

For example, the frequency with carp will visit shallow areas where the suns heat radiates and penetrates the water and is absorbed by plants and vegetation in the water is surprising to many. True carp at times move into deep water to find comfort in falling temperatures, but carp acclimatize and change their activity sometimes in very surprising fashion. I remember drawing a lead back on one occasion and actually feeling fish being bumped during very low temperatures about a week after a thaw and hooking a beautiful mid-twenty linear koi carp which had never been landed before. Winter it seems can alter some fishs diets.

Fish that have remained un-caught throughout the rest of the year can stray from their natural diets and be tempted by our baits. Even un-flavoured fluorescent bits of plastic can catch fish when they have turned off to more conventional baits that are highly charged with normally attractive taste and smell substances. There is far more to flavours and exactly what they are and do than there first appears to our human senses and common knowledge.

Flavours can definitely turn fish off the feed and deter them from an area but this response can occur where any substance is simply too over-powering to the fish senses. Their receptors are tuned to recognise very many key substances found in their environment, just as a child can detect 10,000 smells, while an adult can detect 30,000 smells. Flavours as in the small bottle of vanilla flavour from the local supermarket works in carp baits but is now a feeble weapon compared to others in the modern flavour arsenal. Often cheap flavours like the ever popular vanilla are composed of water, a little expensive natural extract and ethyl alcohol. Some are made from water and propylene glycol, or some other solvent. However flavours can be based on very widely different substances.

The fast changing fashions of flavours means that many of the best flavours get ignored by the majority. Its a good tip to use unfashionable flavours and such mixtures. Some of the very best are lost to us purely due to fashion. Rod Hutchinson told me at one time his best flavour in his opinion was his Blueberry flavour. Even compared to his Scopex, Mulberry, Spice and Mega Tutti Fruitti flavours it stood out and was a fantastic winter flavour. (Where is it now?)

Much of the time the best flavour is not the one your friends are using now, but the alternative one you remembered using years ago and sourced specially to use now. Many of the more experienced anglers know which flavours, combinations and their components are head and shoulders above the rest and know how and when to use them…

As it happens vanilla is a good introductory starting place in regards to flavours. Vanillin (from vanilla pods) is a solvent usually synthetically produced, as are propylene glycol and alcohols too and these are often constituents of flavours. Propylene glycol flavours are at the cheaper end of the spectrum and have in the past been prone to the maxim using more equals more taste and smell and more carp. But over-use can repel too. There are some good propylene glycol flavours but they are far less popular than in the past.

Some solvents are more soluble in water and some taste better to carp for sure! Some are most highly hygroscopic, which means they draw water to themselves as opposed to repelling water. This is significant feature of many good carp bait additives, flavours and ingredients including L030 fish protein forms and salts for instance. Glycerol (glycerine) solvent based flavours are a good example.

In air, glycerol can by its hygroscopic nature, suck into itself so much water it becomes 80 percent glycerol and 20 percent water; so imagine this effect in water considering diffusion dispersal of soluble flavours in water is vitally important to their success! Alcohols are one of the most relied-upon solvent flavours in dense cold water fishing, as ethyl alcohol is 100 % soluble in water (as opposed to propylene glycol.)

Solvents seem to have become the bad boys of the carp flavour world since the popularisation of natural flavours and nature identical flavours. Combining an electrolyte such as common salt or sodium chloride with your flavour can intensify the effect of the flavours and more and different carp receptors (and sites) will be more stimulated in different combinations.

Carp detect salts very well although possibly not a feeding trigger directly speaking, carp are certainly able to detect saline conditions and thrive in them to a degree of salinity such as in tidal rivers. Carp receptors certainly detect alcohols and esters in their environment among very many other flavours and flavour components.

Two of the most popular flavours currently seem to be n-butyric acid (an ester smelling like rancid cheese) and ethyl butyrate flavour, (also an ester.) Pineapple seems to be a fashionable label for a boilie (or pellet) bait at the moment. These esters have a high boiling point well over 100 degrees Celsius (handy with boilies) and are very highly soluble in water. (Ethyl alcohol flavours are also great in winter, but boil out of baits during the heating of water, alcohol having a boiling point of only 78.4 degrees Celsius.) These flavour compounds can act as food signals which leach out and spread quickly through the water.

Originally, flavours were used to change the taste of bait, not as attractors per se although many modern commercially designed fishing flavours have been developed into highly stimulating mixtures indeed.

Conventional commercial winter baits contain high levels of flavours or flavour components; ethyl and amyl acetates and methyl butyrate for example. The taste and smell of these are familiar to us because these type of flavours are naturally found in fruits such as banana, pear, strawberry etc. Part of fishs natural diet consists of decaying food and carp are predominantly bottom-feeding fish which actively sample and eat bacteria laden potential food items. They are a scavenging opportunistic species and are even triggered into feeding by nasty smelling polyamines like putresine from a dead fish as much as by the now familiar carp essential amino acids. (However high levels of ammonia being released in the water is a definite turn-off.)

More recent Japanese studies on the carp feeding stimulation of singles amino acids expressed results that have demonstrated that promotion of continual feeding (gustatory olfaction and to do with taste ) was stimulated most by alanine (as with goldfish) followed by arginine. For stimulating olfaction or actual investigation – search and location of food items, lysine was the most stimulatory followed by methionine.

Many great bait ingredients and additives are high in methionine (or are termed methionine donors. Obviously winter baits designed to supply these amino acids freely in abundance from the make-up of the bait ingredients as well as by using supplemental crystal forms or using supplemental liquid forms of these amino acids, certain of which do very well.

But amino acids being so water pH and temperature influenced in practice can take very much time and money in bait trials to truly refine before you can make absolute conclusions about things like the profitable addition of extra ingredients and their exact productive levels. In carp fishing, many things are taken as Gospel truth but no lake or carp have read these so keep an open mind! On any particular water Scopex flavour can be devastating, especially in combination with another flavour like diacetyl cream flavour or a glycerol fruit one, but then not produce a take somewhere else.

Bait and water pH issues are best left to the chemists. Even the pH of water in one part of a swim compared to anther can be different and influence if a bait is detected and eaten or not! Using baits with an overall lower pH in winter than in summer can pay dividends and also on very rich waters with a relatively high pH. The use of betaine hydrochloride for example, in liquid form especially works well.

Many waters look like they would have a low acid pH due to the trees (and shade) surrounding it, constantly depositing acidic tannins within falling leaves and little oxygenating aquatic vegetation and even some acid loving plants like rhododendrons growing around the lake. (It helps in bacterial break-down of vegetation in water if plenty of dissolved oxygen is available.)

Lack of oxygen in water often means that carbon dioxide levels are increased. Specialised carp receptor cells are very sensitive to carbon dioxide with good reason. It is a good indicator of lack of oxygen and as a result you will see fish rising to the water surface where there is the most dissolved oxygen in over-stocked waters in high temperature conditions where oxygen levels have been depleted.

The big point about oxygen and carbon dioxide especially, is that carbon dioxide become carbonic acid in water therefore acidifying the water. Add this to the combined effects of things like bacterial demand for oxygen. Now add acid rain effects and conditions and venue environments which limit oxygen getting dissolved into a fishery and you will very possibly get acidic pH water. This is where a high or low pH flavour can make all the difference to the impact your bait has upon fish receptors in combined ways!

But first impressions of a water can turn also out to be completely wrong! For instance in the case of on over-stocked pond in Kent with some extremely big fish, which is fed by an underground aquifer coming through alkaline ph chalk rocks.

Many flavours do attract carp into your swim (with many mimicking or actually being substances they naturally detect in their aquatic environments,) but these do not necessarily promote the consumption of your hook bait, nor especially even of any free baits. Part of this attraction is to do with the richness and depth of your flavour profile, but also much has to do with other factors which many anglers are not aware of.

Some flavours actually have the effect of burning delicate fish cells upon contact, when used in high levels! Flavours can be so complex that over a 100 components are used in some formulations. There are very many effects modern flavorists can incorporate into a flavour including notes and back-notes of many kinds, but this is just the tip of the winter (or summer) bait flavour ice-berg. Many flavours smell great to us but will taste bitter too.

Bitterness is detected by carp and although this may not deter fish from actually eating baits, studies do show that foods which are less bitter are mostly eaten in preference. I personally dont care if a bait is bitter as long as it has a diverse range of true feeding triggers and attractors with no dominating; the fish will certainly still eat it if it contains essential nutrition it requires. Many fishmeal products have a bitter-tasting edge, but the most suitable nutritional profile and high digestibility of fish meals make bitterness a pretty low priority feeding factor in a nutrient deficient hungry fish!

In fact, adding any sweetener is an advantage, as it has been found that sweetness is most importantly detected by carp palatial receptors, which are important in helping carp decide to actually eat and swallow a bait or to reject it (and leave your bait alone.) Bait palatability is so important and even various more insoluble substances like certain essential oils, will tip the balance.

More than one very famous angler has stated that on a cold winters night out of all their baits, they would expect the bait with a particular essential oil mixture to be taken if the fish feed! (Many essential oil components are extremely effective at boosting metabolism, releasing essential energy efficiently for movement and improved food (or bait) digestion which provides more energy.

Many food taste enhancers like monosodium glutamate MSG are easily detected by carp. (Glutamate is the naturally and highly abundant in nature amino acid; glutamic acid and is a true carp feeding trigger!) Many proprietary fishing bait taste enhancers are widely available and many commercial baits contain them.

Nucleotides are a very important element of foods and newer ones are being developed that specifically block bitter taste. Some companies use the fact that some taste enhancers have neurotransmitting properties for example, which can really improve your baits potency; of cause the more bait a carp continues to eat, the higher the chance of a take…

Anti-inflammatory substances may be added to a flavour and often come in the form of fatty acids (oils) like fish or hemp or fruit oils. These have potent antioxidant effects on carp and are also proven feeding triggers. Citrus oils are well proven in winter and summer for example.

One of a range of natural protein sweeteners might be added also like Talin or Thaumatin B. Components of essential oils too can be included in a flavour. (How about or menthol crystals or geranium terpenes?) In winter especially, very many essential oils and their components are excellent. Both soluble and insoluble parts of these mostly herb and spice extracts are useful, from the terpenes and oleoresins (as in black pepper, peppermint, bergamot etc,) to the eugenol from any of a range of herbs for example.

A whole range of different types of fruit acids are very stimulatory too. There are some very powerful compounds in most natural flavours used in carp fishing just look at the popular cranberry or mulberry for example.

Sometimes its better instead of copying your peers, to adapt your commercially made baits to improve results. If they are low protein attractor baits perhaps try adding much higher levels of minerals, vitamins and amino acids supplements for example. If using popular food baits how about washing out your baits in your lake water for 24 hours prior to use, or instead of using the recommended standard additive flavour combination. Or how using a different imaginative combination and creating your own? (Some modern baits have specific additives which should not be changed if involved with creating a live enzyme system bait for example.)

A dip or bait soak based on corn steep liquor, ( or a Minamino type product) and liquid yeast, added salt, betaine hydrochloride and glycerine, liquid lecithin and a mixture of essential oils with natural fruit oils and flavours. A winter dip does not have to be expensive or complex, but remember that its the soluble messages that hit the carp first, but that does not mean bashing them in the head with a very strong solvent like nail varnish remover (acetone.) But even a lowered dose of a popular flavour can make the difference between your bait not being detected, or repelling the carp from the area, or actually hooking a happy bait consuming carp!

Often the fact is what everyone else is doing on a water will determine which approach to take; observing what your fellow anglers are using and how it is applied often reveals the solution to the problem. Using no conventional fishing bait flavours is one reliable angle (using fermented soya products as a very effective proven alternative for instance.) You can totally adapt and change your baits natural flavour profile. Even green lip mussel extract, or kelp meal or blue cheese powder, or vanilla powder can do that. It just takes a little thought in identifying the real problem that stands in your way to improved catches and often it is in tweaking your bait slightly to make it a little more digestible, nutritionally attractive or a bit tastier!

This fishing bait secret books author has many more fishing and bait edges. Just one could impact on your catches!

By Tim Richardson.